The Overdrive Special ODS varied over time and according to customer requirements. In a sense, the Overdrive channel is “on top” of the clean channel. This means that the clean channel’s tone stack and gain stages cascade into the gain stage of the Overdrive channel, clipping the clean channel. The Overdrive channel is designed to “cascade” from the first channel to at least one additional gain stage in the channel. This is a two channel amplifier, with a clean channel and a second “overdrive” channel. The Overdrive Special is Dumble’s best known and most popular model. Howard, like many others, began modifying the Fender Tweed and Blackface amps in 1963. With values above USD 70,000 they are among the most expensive as well.
#VOX AC30CC2 VS MARSHALL PLEXI PROFESSIONAL#
Dumble Overdrive Special ODS Dumble Overdrive Special ODSīuilt entirely by hand by Howard Dumble, Dumble amps are one of the most highly regarded by professional musicians and recording studios. This amp was Mesa’s first step, which would later change to Mesa Boogie, after Carlos Santana, using a Randall Smith amp, said “This thing really boogies!”. The Mesa Mark I is considered one of the first high-gain amplifiers in history. This earnings layout is called “cascading”. This then allowed him to add an additional gain stage in the preamp with three gain controls at different points in the circuit. Smith took a Fender Princeton amp and swapped the power amp for a Bassman one, and replaced the 10″ speaker with a 12″ one.
#VOX AC30CC2 VS MARSHALL PLEXI MODS#
The amp design was inspired by Randall Smith’s Hotrod mods to Fender amps. The Mark I was launched in 1971, when the brand was still just “Mesa”. Musicians like of Fleetwood Mac’s Peter Green, Led Zeppelin’s Jimmy Page, Black Sabbath’s Tony Iommi, and Free’s Paul Kossoff used these classic amps. The current Vox AC30 are far from the original “Top Boost”, however, you can find boutique manufacturers that make replicas that are close to the original. Undoubtedly making it one of the best classic guitar amps of the British tone. Other musicians or bands that used them later were Brian May from Queen, Tom Petty, Peter Buck from R.E.M. In 1963, after going through various configurations and new features, the “Top Boost” version was launched, which already had most of the current features of the classic Vox AC30 and is ultimately the one that ssounds on the first albums of bands like the Beatles, the Rolling Stones and other great bands. The AC30 was released in 1959, offering it in 1×12 and 2×12 configurations, and with a single tone control. The 30-watt Vox AC30 was designed as a more powerful version of the AC15 at the request of Hank Marvin, guitarist of The Shadows. Protagonist of the wave of successful British bands, called “British Invasion”. The Vox was the great amp of the 1960s in Britain. The rectifier has a 5Y3 valve that allows for dynamic and touch sensitivity. Considered the “holy grail” of older combos, it has been used by Neil Young, Billy Gibbons, Mark Knopfler, Rich Robinson, Mike Campbell, and many others.įender makes a reissue of the original 1957 model, although purists may say they are not really 100% correct editions.
The circuit features two easily saturated cathodic bias 6V6 power output tubes that deliver a sweet, harmonically rich tone. There are numerous versions of the Deluxe but the most iconic model is the 5E3 circuit, built between 19. Introduced in 1948, the Fender Deluxe was praised for its dynamics, harmonically rich saturation, and compression. Its tone is characterized by a husky and “fuzzy” audio. The best most iconic classic guitar amps everįender 5E3 Deluxe “Tweed” Fender 5E3 Deluxe “Tweed”
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